FRONTLINE- Psychoanalysis and Art: The End is the Beginning – pp. 1
Author(s): Ronald Turco
ARTICLES:
What Grounds Creativity? – pp. 3
Author(s): Richard D. Chessick
Degas’s Sculptures – Three-Dimensionality and Action -pp. 29
Author(s): Carl T. Rotenburg
Images of Trauma: Pain, Recognition, and Disavowal in the Works of Frida Kahlo and Francis Bacon – pp. 51
Author(s): Joerg Bose
Consulting to Star Trek: To Boldly Go Into Dynamic Neuropsychiatry – pp. 71
Author(s): David V. Forrest
A Psychoanalytic Consideration of Pasolini’s Salo – pp. 83
Author(s): David Salvage
The Musician and the Creative Process – pp. 97
Author(s): George Hagman
Psychoanalysis, Creativity, and Hope: Forward Edge Strivings in the Life and Work of Choreographer Paul Taylor – pp. 119
Author(s): Carol M. Press
The Contributions of Marcel Proust to Psychoanalysis – pp.137
Author(s): Anne E. Bernstein
Erich Fromm’s Productivity: Creativity as Exemplified by Joyce’s Blooming of Leopold and Molly – pp. 149
Author(s): Valentina Harrell
An Attempt at Unmasking Eugene O’Neill – pp. 163
Author(s): Aleksandar Dimitrijevic
Federico Garcia Lorca’s Yerma: The Use of a Vitalizing Fantasy Self-Object to survive Trauma – pp. 177
Author(s): Joseph R. Silvio
Listening to Oedipus: Two Poems by Sons About Fathers – pp. 191
Author(s): Mary Wallach
The Artifice of Literary Dreams – pp. 207
Author(s): Julius R. Raper
Tools, Works of Art, Psychoanalysis – pp. 215
Author(s): Stanley R. Palombo
The Victorian Ethos of Ebolution – pp. 225
Author(s): Scott C. Schwartz
EPILOGUE: On the Limits of Pathography, Psychobiography, and Art Criticism – pp. 235
Author(s): César A. Alfonso and Marianne Horney Eckardt
© 2007-2009 The American Academy of Psychoanalysis and Dynamic Psychiatry.